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This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian’s Oh... (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France’s literary representations in the history of global cinema.
This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light o
French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens ac
This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics,
Film and television adaptations of classic literature have held a longstanding appeal for audiences, an appeal that this book sets out to examine. With a partic
"Throughout this study, idleness is shown to be a key element of self-presentation beginning with the figure of the idle aristocrat. The extravagant display of