Locating the Voice in Film

Locating the Voice in Film
Author: Tom Whittaker
Publisher: Oxford University Press
Total Pages: 337
Release: 2017
Genre: Art
ISBN: 0190261137

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This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the practices of sound design, technologies and even reception are often grounded in cultural specificity, to present readings which challenge traditional theories of the voice in film.


Locating the Voice in Film
Language: en
Pages: 337
Authors: Tom Whittaker
Categories: Art
Type: BOOK - Published: 2017 - Publisher: Oxford University Press

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This book locates the voice in cinema in different national and transnational contexts, to explore how the critical approaches to the voice as well as the pract
The Singing Voice in Contemporary Cinema
Language: en
Pages: 0
Authors: Diane Hughes
Categories: Motion picture music
Type: BOOK - Published: 2020 - Publisher: Equinox Publishing

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This volume focuses on the singing voice in contemporary cinema from 1945 to the present day, and rather than being restricted to one particular genre, consider
Taiwan Cinema as Soft Power
Language: en
Pages: 249
Authors: Song Hwee Lim
Categories: Performing Arts
Type: BOOK - Published: 2021-12-17 - Publisher: Oxford University Press

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Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without ha
Voice and Vision: A Creative Approach to Narrative Film and DV Production
Language: en
Pages: 561
Authors: Mick Hurbis-Cherrier
Categories: Performing Arts
Type: BOOK - Published: 2007-03-13 - Publisher: Taylor & Francis

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Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of
The New Generation in Chinese Animation
Language: en
Pages: 313
Authors: Shaopeng Chen
Categories: History
Type: BOOK - Published: 2021-09-23 - Publisher: Bloomsbury Publishing

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In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shao