Music as Concept and Practice in the Late Middle Ages

Music as Concept and Practice in the Late Middle Ages
Author: Reinhard Strohm
Publisher:
Total Pages: 522
Release: 2001
Genre: Music
ISBN: 9780198162056

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This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.


Music as Concept and Practice in the Late Middle Ages
Language: en
Pages: 522
Authors: Reinhard Strohm
Categories: Music
Type: BOOK - Published: 2001 - Publisher:

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This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of
Music and Performance in the Later Middle Ages
Language: en
Pages: 249
Authors: E. Upton
Categories: Performing Arts
Type: BOOK - Published: 2012-12-28 - Publisher: Springer

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This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers
Studies in the Performance of Late Medieval Music
Language: en
Pages: 328
Authors: Stanley Boorman
Categories: Music
Type: BOOK - Published: 2008-10-30 - Publisher: Cambridge University Press

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This volume presents a series of important essays on some of the problems involved in attempting to perform music of the late Middle Ages.
German Instrumental Music of the Late Middle Ages
Language: en
Pages: 296
Authors: Keith Polk
Categories: Music
Type: BOOK - Published: 2004 - Publisher: Cambridge University Press

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This book describes instrumental music and its context in German society of the late middle ages - from about 1350 to 1520. Players at that time improvised, muc
Music and Performance in the Later Middle Ages
Language: en
Pages: 242
Authors: E. Upton
Categories: Performing Arts
Type: BOOK - Published: 2012-12-28 - Publisher: Springer

GET EBOOK

This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers