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Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film.
Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that
Austria, the multicultural crossroad of the European continent, has been the genesis of many artistic concepts. Just as late 19th and early 20th century Austria
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Aus
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfr
Austrian avant-garde cinema bears a resemblance to materialist and visionary aspects of the American avant-garde, while also manifesting a subversive social cri