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One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Offering a full portrait of the avant-garde scene of 1950s Paris, this book focuses on the film works of key Lettrist figures like Gil J. Wolman, Maurice Lemaitre, Francois Dufrene, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose 'discrepant editing' deliberately uncoupled image and sound.
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image i
At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of fi
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image i
From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this fram
A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices. Positioned at the