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Screening the East considers German filmmakers’ responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an insight into the films’ historical and political context, it considers related issues such as stereotyping, racism, regional particularism and the Germans’ confrontation with the past.
Screening the East considers German filmmakers’ responses to unification. In particular, it traces the representation of the East German community in films ma
Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on mult
With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in whic
Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and reneg
With internationalist aspirations and wide-ranging historical perspectives, East German films about artists and their work became hotly contested spaces in whic