The Controversy of Renaissance Art

The Controversy of Renaissance Art
Author: Alexander Nagel
Publisher: University of Chicago Press
Total Pages: 372
Release: 2011-09
Genre: Art
ISBN: 0226567729

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Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --


The Controversy of Renaissance Art
Language: en
Pages: 372
Authors: Alexander Nagel
Categories: Art
Type: BOOK - Published: 2011-09 - Publisher: University of Chicago Press

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Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this
The Sexuality of Christ in Renaissance Art and in Modern Oblivion
Language: en
Pages: 426
Authors: Leo Steinberg
Categories: Art
Type: BOOK - Published: 2014-12-10 - Publisher: University of Chicago Press

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Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sex
The Renaissance Nude
Language: en
Pages: 436
Authors: Thomas Kren
Categories: Art
Type: BOOK - Published: 2018-11-20 - Publisher: Getty Publications

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A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looke
RENAISSANCE METAPAINTING; ED. BY PETER BOKODY.
Language: en
Pages: 348
Authors: Péter Bokody
Categories: Metacognition
Type: BOOK - Published: 2020 - Publisher: Harvey Miller

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The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examin
Anachronic Renaissance
Language: en
Pages: 457
Authors: Alexander Nagel
Categories: Art
Type: BOOK - Published: 2020-04-14 - Publisher: Zone Books

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A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely