The “Femme” Fatale in Brazilian Cinema

The “Femme” Fatale in Brazilian Cinema
Author: Antônio Márcio da Silva
Publisher: Springer
Total Pages: 369
Release: 2014-05-01
Genre: Performing Arts
ISBN: 113739921X

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In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales and examines how the Brazilian representations cross gender, race, and class and offer alternatives to the dominant Hollywood model.


The “Femme” Fatale in Brazilian Cinema
Language: en
Pages: 369
Authors: Antônio Márcio da Silva
Categories: Performing Arts
Type: BOOK - Published: 2014-05-01 - Publisher: Springer

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In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups an
The “Femme” Fatale in Brazilian Cinema
Language: en
Pages: 215
Authors: Antônio Márcio da Silva
Categories: Performing Arts
Type: BOOK - Published: 2014-05-01 - Publisher: Palgrave Macmillan

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In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups an
The Femme Fatale in Brazilian Cinema
Language: en
Pages:
Authors: Antônio Márcio da Silva
Categories:
Type: BOOK - Published: 2012 - Publisher:

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Brazilian Women's Filmmaking
Language: en
Pages: 251
Authors: Leslie L. Marsh
Categories: History
Type: BOOK - Published: 2012-10-31 - Publisher: University of Illinois Press

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This text focuses on women's film production in Brazil from the mid-1970s to the current era. Marsh explains how women's filmmaking contributed to the reformula
Woman-Centered Brazilian Cinema
Language: en
Pages: 306
Authors: Jack A. Draper III
Categories: Performing Arts
Type: BOOK - Published: 2022-10-01 - Publisher: State University of New York Press

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Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and