What Happened to Art Criticism?

What Happened to Art Criticism?
Author: James Elkins
Publisher: Prickly Paradigm
Total Pages: 87
Release: 2003
Genre: Art
ISBN: 9780972819633

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Art criticism was once passionate, polemical and judgmental: now critics are more often interested in ambiguity, neutrality, and nuanced description. And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. Here, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes.


What Happened to Art Criticism?
Language: en
Pages: 87
Authors: James Elkins
Categories: Art
Type: BOOK - Published: 2003 - Publisher: Prickly Paradigm

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Art criticism was once passionate, polemical and judgmental: now critics are more often interested in ambiguity, neutrality, and nuanced description. And while
Art Criticism Online
Language: en
Pages: 339
Authors: Charlotte Frost
Categories: Art
Type: BOOK - Published: 2019-05-16 - Publisher: Gylphi Limited

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The mainstream press often celebrates the ‘tweeting’, ‘facebooking’ and ‘gramming’ of art commentary. Yet online forms of art criticism have a much
Judgment and Contemporary Art Criticism
Language: en
Pages: 0
Authors: Jeff Khonsary
Categories: Art criticism
Type: BOOK - Published: 2010 - Publisher: Fillip Editions

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This collection of essays and discussions examines the role of judgment in art writing within the context of a renewed interest in the efficacy and function of
The State of Art Criticism
Language: en
Pages: 364
Authors: James Elkins
Categories: Art
Type: BOOK - Published: 2007-11-13 - Publisher: Routledge

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Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Cr
Stories of Art
Language: en
Pages: 200
Authors: James Elkins
Categories: Art
Type: BOOK - Published: 2002 - Publisher: Psychology Press

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In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art his